Jan
1
to Jan 19

Broken Theater in Copenhagen

Look forward to Broken Theater's performance in the Rhythmic Hall. International choreographer Bobbi Jene Smith visits Aarhus for the first time with her workshop-like performance, where intimate feelings and the boundaries of the stage are staged through dance, text and music.

The piece features an ensemble performance with twelve dancers, including Bobbi Jene Smith herself. You are drawn into a story about a dance theatre company rehearsing and into questions about where the institution and the individual meet or drift apart. Feelings of longing, humour, passion and division unfold, presented with physical intensity and presence.

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Jan
22
7:30 PM19:30

Carnegie Hall: Recital with Rachell Ellen Wong & David Belkovski

Welcome the return of violinist Rachell Ellen Wong, the sole Avery Fisher Career Grant recipient in Baroque music; and David Belkovski, a phenomenal talent on multiple early and modern keyboards, including the harpsichord. As artistic directors of Twelfth Night, their stirring performance in spring 2024 had the audience on its feet. Together, they perform a wide-ranging program of violin sonatas and more, joined by outstanding cellist Coleman Itzkoff.


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Apr
19
5:00 PM17:00

Ruckus at The Frick Collection

Countertenor Reginald Mobley joins early-music ensemble Ruckus, flutist Emi Ferguson, and violinist Rachel Ellen Wong, in a program dedicated to the music of Ignatius Sancho (b. 1729)—composer, writer, and the first known Black Briton to vote in a parliamentary election. Sancho’s songs and courtly dances, drawn from his published collections, offer a window into the vibrant social and artistic life of 18th-century London. Presented in conjunction with the exhibition Gainsborough: The Fashion of Portraiture, this performance celebrates Sancho’s legacy as a composer, man of letters, and key figure in the cultural landscape of his time.

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Apr
23
to Apr 25

Procession at National Arts Centre of Canada

Partners and choreographers Bobbi Jene Smith and Or Schraiber are taking the dance world by storm. Known for their “uniquely expressive language of movements, which range from the bright and angular to the jaunty and syncopated....” (LA Weekly), Smith and Schraiber’s intensely emotional works serve a double dose of ingenuity. 

To open its 2025-2026 season, The National Ballet of Canada has commissioned the pair to create a new full-length production. Procession explores the ritual of moving together in formation and celebrates the power of performance. Featuring a newly arranged Baroque-inspired score infused with a modern touch, Procession is a bold and captivating commission that reflects the company’s spirit of creativity under the leadership of Hope Muir, Joan and Jerry Lozinski Artistic Director.

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May
3
2:00 PM14:00

Twelfth Night Ensemble: Elemental (Early Music Seattle)

Influenced by the sounds of today, and with a vision for the future, the New York–based Twelfth Night Ensemble was formed “with the firm belief that art is best explored as a meeting place of the past, present, and future.” Timeless works by Handel, Vivaldi, Marais, J. S. Bach, and Destouches offer an illuminating vantage point and thoroughly rewarding musical experience in this unique exploration of humanity’s relationship to nature.

Premiered in 2024 at Carnegie Hall!

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May
16
7:30 PM19:30

Christopher Cerrone Double Concerto with LA Chamber Orchestra

RADIANCE + REVERIE

MARTÍN + MARWOOD + MOZART

  • SATURDAY, MAY 16, 2026 | 7:30 PM | ZIPPER HALL

  • SUNDAY, MAY 17, 2026 | 4 PM | THE WALLIS

Jaime Martín Music Director
Anthony Marwood Violin
Coleman Itzkoff Cello

This program lives in the glow of Classical clarity and modern invention. Music Director Jaime Martín leads LACO through Mozart’s luminous Haffner Symphony, whose pristine structures and joyful grace epitomize Classical brilliance. The concert also features the world premiere of Christopher Cerrone’s new Double Concerto, a boldly inventive work performed by violinist Anthony Marwood and cellist Coleman Itzkoff, offering a fresh voice in contemporary concerto writing. Finally, Tchaikovsky’s enchanting Mozartiana transforms Mozart’s style through romantic, late-19th-century colors—melding reverence with imaginative reinterpretation.  A radiant celebration bridging tradition and innovation.

Music Director Jaime Martín’s concert appearances this season are underwritten by a generous gift from the Audre Slater Foundation made in honor of Barbara Herman.

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